The following diagrams indicate what notes you should use for each chord voicing. Introduction The Berklee Jazz Guitar Chord Dictionary is a resource for 7th-chord voicings and other frequently encountered jazz chord shapes on the fretboard. MMajoron B FHarmonic FM elodic G Major 6 Bebop Scal e G Minor 6 Bebop Scal e About the Author Major 6, Minor 6, Diminished 7) Triads over Bass-Note Voicings with Roots on Major 6, Minor 6, Diminished 7) Root 7 3 (Major 7, Dominant 7, Minor 7, Minor 7�5. Root 3 7 (Major 7, Dominant 7, Minor 7, Minor 7�5. (each on �Q)(j)(D) Major 7 Dominant 7 Minor 7 Minor 7�5 Major 6 Minor 6 Diminished 7 Dominant 9 M�or 9 Minor 11 Dominant 13 ax la818 MILWAUKEE� WIIICONaiN 11.212131Ĭopyright© 2007 Berklee Press All Rights Reserved No part of this publication may be reproduced in any form or by any means without the prior written permission of the Publisher.Green Senior Designer: Robert Heath Editorial Assistants: Rajasri Mallikarjuna, Jonathan Whalen Going beyond single chord vamps, this approach allows you to play through simple and complex chord progressions using these modern sounds.Berklee �ress Vice President: Dave Kusek Dean of Continuing Education: Debbie Cavalier Managing Editor: Jonathan Feist Director of Business Affairs: Robert F. Peckham will show you how to extend your capabilities by integrating a variety of new voicings and chordal phrasing into your playing so that you can handle any modal situation guided by your own ears and instincts. Berklee Professor of Guitar Rick Peckham unlocks the mysteries of modal tonality, with a series of exercises and demonstrations that will expand your chord vocabulary, capturing the signature sounds of groups led by Miles Davis, John Coltrane, as well as contemporary jazz, pop, and R&B artists. Bring new colors and voicings to your guitar playing. Modal Voicing Techniques For Guitar by Rick Peckham You will learn: * Jazz chords and their characteristic tension substitutions, in many voicings and configurations * Modes and scales common in jazz * Techniques for comping, developing bass lines, harmonizing melodies, melodizing harmonies, and improvisation * Practice techniques for committing these concepts to your muscle memory * Variations for solo and ensemble playing * Advanced concepts, such as rhythmic displacement, approach-chord harmonization, and jazz counterpoint Concepts are illustrated on the accompanying online audio, where you'll hear how one of the great jazz pianists and educators of our time applies these concepts to both jazz standards and original compositions, and how you can do the same. From beginning through advanced levels, Berklee Jazz Piano maps the school's curriculum: a unique blend of theory and application that gives you a deep, practical understanding of how to play jazz. Play jazz piano with new facility and expression as Ray Santisi, one of the most revered educators at the Berklee College of Music and mentor to Keith Jarrett, Diana Krall, Joe Zawinul, and thousands of others reveals the pedagogy at the core of Berklee's jazz piano curriculum. A unique section on audition preparation for colleges and professional music programs, with an extended interview with Berklee College of Music's director of admissions, will help you advance in your career.Ī Modern Method For Guitar by William Leavitt It also provides examples to train your ear with call-and-response exercises similar to what you might be asked to perform at an audition or jury. The accompanying audio tracks provide demonstrations of key technical concepts with play-along tracks to help you develop phrasing and location concepts on the fingerboard. This practical guidebook will help you master the theory, technique, and conceptual framework for how to play jazz: comping chords, soloing, and playing with expression, facility, and good hand health. Learn the essential tools and skills for playing jazz guitar. We only index and link to content provided by other sites. Disclaimer: This site does not store any files on its server.
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